Why Do Some Movies Make Us Root for the Bad Guys?

When a movie immerses you so deeply that you find yourself rooting for characters who commonly play the antagonist, it's a testament to the power of the narrative and character development. This phenomenon is particularly evident in films like Joker, where we get a comprehensive understanding of the protagonist's descent into villainy. This is a more detailed backstory than what is typically shown in earlier Batman TV series starring Adam West.

Good Baddies and Reliable Antagonists

Sometimes, we love a good baddie, especially when they are so formidable that they challenge the hero for a prolonged period. This challenge often makes the hero's journey more compelling and dramatic. A prime example is Gene Hackman's character in Superman, where the hero must choose between love and saving the world. Hackman's portrayal adds a layer of complexity to the narrative, making the audience question the hero's decision when he chooses to save the world, only to regret it later. In the end, Hackman’s character’s actions during the time loop that allows the hero to save both reveals a new depth to his character.

In Paul, another brilliant comedy, Sigourney Weaver's character initially outsmarts the hero but is ultimately undone. This narrative twist adds layers of intrigue and keeps the audience engaged until the very end. In The Cooler, a film about a man with a curse of bad luck, his bad luck eventually saves him. This plot twist shows that even the most unfortunate characters can turn the tables on fate, making the story more fun and unpredictable.

Relatable Evil and Human Concepts

Often, the more relatable a villain is, the more we root for them. This is because the motivations driving their actions can resonate with the audience. For instance, in Joker, the character's descent is linked to the trauma and injustice he has endured. The statement, 'Watched your family butchered and now you want to return the favor to society,' is a powerful example of identifying with a villain's journey. When a character's motivations are relatable, it humanizes them and makes it easier to understand their actions, even if we may disagree with them.

Tom Hiddleston's portrayal of Loki in the Avengers series is a prime example of a relatable villain. His charisma, wit, and tragic backstory make him a favorite among fans. Similarly, in Fantastic Beasts and Where to Find Them, the character of Grippy Veda is a complex and relatable villain. His motivations are understandable, and his tragic past makes him more than just a simple antagonist.

Boring Heroes and Captivating Villains

Another reason why we root for bad guys is the unsatisfying nature of some heroes. Many modern heroes are antiheroes, meaning they lack a traditional superhero’s morals or sense of justice. They may be so perfect or without flaws that their stories become repetitive and uninteresting. Sometimes, the hero's lack of character development or relatable goals makes the story feel stagnant. In contrast, an interesting villain with nuanced motivations and a relatable backstory can make the story more engaging.

For example, the hero in Award-Winning Movie Title Here (use a movie title you're familiar with that has a memorable protagonist) is so perfect and unflawed that the viewer feels no real connection to their journey. On the other hand, the villain in Another Movie Title Here (use a movie title) has a compelling backstory and motivations that make them more than just an average bad guy. This creates a more compelling narrative where rooting for the villain becomes a viable option.

Conclusion

In conclusion, the power of storytelling and character development can turn a movie's bad guys into characters that we find ourselves sympathizing with or even rooting for. Whether it's understanding their motivations, experiencing their struggles, or just enjoying their charisma, these elements make the narrative more compelling and thought-provoking. The stories that truly stand out are often the ones that make us question the very nature of good and evil.