Movies That Shocked the World: From Trash Exploitation to Classic Cinema

The world of cinema is filled with surprises, where a movie initially considered as a mere exploitation flick can eventually become a cinematic masterpiece. From the beloved classic Casablanca to the groundbreaking Blaxploitation film Across 110th Street, these movies have defied expectations and won the hearts of countless viewers.

Classics that surprisingly found glory

Casablanca: A Mélange of Surprises

Frank Capra's classic 'Casablanca' is a perfect example of a film that initially wasn't considered particularly good. Despite its stars and the film's critical acclaim, it didn't receive the same level of reverence as it does now. In fact, the stars (inhabitants, not actors) were surprised at how popular it became over the years. This speaks volumes about the unpredictable nature of cinema.

The Thin Man: A Lightweight Bite

Another film that unexpectedly left a lasting impression is 'The Thin Man.' Initially seen as a lightweight movie, it burst onto the scene with a popularity that surprised many in the industry. Notable enough to spawn six movies and a TV series that ran for several seasons in the 1940s and 1950s. Its enduring appeal remains a testament to its quality.

From Misunderstood to Summer Blockbuster

Jaws: A Bomb Turned Blockbuster

'Jaws' is a prime example of a film that was initially considered a misfire. The movie was plagued with problems during filming, and the story deviated significantly from the original plan. In an interview before its release, Richard Dreyfuss, who played Matt Hooper, openly stated that the film was going to be a bomb. However, 'Jaws' went on to become the first 'Summer Blockbuster,' setting the stage for a new era in Hollywood.

Blaxploitation: Across 110th Street

A Gripping Tale of Crime and Violence

'Across 110th Street,' released in the early 1970s, is a gritty, violent crime film that blends elements of the Blaxploitation genre, which was notorious for its exploitation of predominantly African American actors. Initially perceived as a run-of-the-mill Blaxploitation flick, it has since gained a reputation as a minor classic.

Written and directed by Jim Strouse, with a brilliant cast including Tony Franciosa, Yaphet Kotto, and Anthony Quinn, the film tells the story of three small-time criminals who pull off a robbery that goes catastrophically wrong. The aftermath sees seven people killed, including two police officers. Both the police and the Mafia are on the hunt for the killers.

The film's influence on Quentin Tarantino is evident in his Jackie Brown, where he resurrected the iconic Bobby Womack theme song used in 'Across 110th Street.' Tarantino recognized the quality of the film and paid homage to it, showing the progression and lasting impact of the film over time.

Realism and Depth

'Across 110th Street' is a brutally realistic film, setting the bar high for violent crime thrillers. The performances are exemplary, with a focus on the gritty authenticity of the characters. The use of close-in camera work and tight pacing elevates the film to a level of realism that is hard to match. Notably, the scene involving Tony Franciosa, a second-tier Mafia enforcer, and Richard Ward, a Black underboss for the Mafia, stands out as particularly memorable.

A Reflection of Its Time

The film's narrative and characters reflect the social and political climate of the time. The character of Yaphet Kotto, an upstanding cop, is a stark contrast to the corrupt older cop played by Anthony Quinn, adding depth to the storyline. Even the lesser characters leave an indelible mark with their memorable moments, such as the widow scene and the intense confrontation between Quinn and Ward.

Conclusion

From Casablanca to Across 110th Street, these films initially faced the criticism and skepticism of a more discerning audience. However, they have since emerged as classics, proving that sometimes, the most unlikely films can leave the greatest lasting impact on the world of cinema. These stories serve as a reminder that the value of a film is not always evident from its initial reception.