Literature
Is The God of Small Things by Arundhati Roy Overrated? A Critical Analysis
Introduction
Is Arundhati Roy's 'The God of Small Things' really overrated? This essay explores various perspectives on the acclaimed novel, analyzing both the positive and negative aspects of the book.
Criticism: Is 'The God of Small Things' Overrated?
Some readers and critics argue that 'The God of Small Things' is overrated. For instance, one reviewer states, 'I personally did not think it deserved the hype and glory it received. Roy successfully emulated the writing style of Gabriel Garcia Marquez and depicted a typical Kerala Village reasonably well, but that was about it. I did not recall much of the book after a week.' This viewpoint highlights the perceived lack of lasting impact of the book.
The reviewer extends this critique by drawing a parallel to a poorly performing movie that receives praise from critics, leading to a group of people praising it despite minimal personal engagement. This example illustrates how the book might be overhyped due to the critical acclaim and the desire of some intellectuals to be seen as knowledgeable readers.
Perspective: Why 'The God of Small Things' Deserves Its Praise
However, not all views are negative. Some readers and critics argue that the book is among the best by Indian authors and appreciate Roy's literary merit. They highlight the meticulous and profound exploration of themes such as community, identity, and human experience.
A more dynamic and detailed perspective asserts, 'The God of Small Things' is among the ten best books I have read by Indian authors. Arundhati Roy paints a poignant picture of the marginalized and oppressed. Her narrative not only evokes emotions but also challenges societal norms, making the characters' experiences resonate deeply.
Analysis: The Literary Merit of 'The God of Small Things'
From a literary standpoint, 'The God of Small Things' is crafted with care and resonance. The novel delves into the lives of the people of the Ayemenem village, capturing the essence of their struggles and triumphs. As one reviewer poetically remarks, 'Arundhati Roy is the God of Small Things. She takes notice of the abysmally small, the compressed, and the beaten down.' Her writing is curly hairs that branch out, turning grey with wisdom and concern, and her voice is composed yet revolutionary.
Moreover, the novel's exploration of love, politics, and personal identity is masterfully executed. As the reviewer notes, 'We are all in some way shaped by the legislative assembly, just as much as by the God our lives designed to blend in with the work-hours allotted on the legal papers.' This line sums up the complex relationship between individuality and societal norms, making the book a remarkable piece of literature.
Conclusion
The debate around whether 'The God of Small Things' is overrated is multifaceted, with opinions ranging from the book's overhyped nature to its profound literary merit. While some readers might find it overrated, others see it as a masterpiece that deserves its accolades. Regardless of one's stance, it is clear that the novel has left an indelible mark on contemporary literature and continues to resonate with readers worldwide.