Introduction

H. P. Lovecraft, the renowned author of cosmic horror and the creator of one of the most influential literary universes of the 20th century, had a unique taste in music that closely mirrored his literary sensibilities. While his musical preferences are often intriguingly understated, they are deeply intertwined with his cosmic themes and create a rich tapestry of his interests and influences.

Lovecraft’s Affinity for Classical Music

One of the most notable aspects of Lovecraft's musical preferences is his affinity for classical music. Lovecraft particularly admired the works of Richard Wagner, Franz Liszt, and Johann Sebastian Bach. His appreciation for these composers was not just casual; it was deeply rooted in their ability to convey a sense of grandeur and mythic storytelling that resonated with his own literary themes. For example, he felt that Wagner’s operas were particularly fitting, as they could evoke the cosmic horror and the grandeur that he sought to achieve through his prose.

Traditional Folk Music and Early American Music

While Lovecraft’s preference for classical music is well-documented, he also had an appreciation for traditional folk music and early American music, including hymns and ballads. This genre of music often evoked emotional depth and cultural significance that resonated with him. The rich, emotional overtones and the connection to cultural roots allowed these pieces to find a place in his musical palate. For Lovecraft, this type of music added a layer of authenticity and historical connection to his work, much like the historical and mythological elements he included in his stories.

Personal Anecdotes and Speculations

While Lovecraft did appreciate certain genres of music, there is a popular theory that his preference for certain types of music was influenced by personal quirks or even possible medical conditions such as musical anhedonia. Musical anhedonia is a condition where individuals experience a lack of pleasure from music or any sound, which aligns with Lovecraft’s reported aversion to music. This condition could explain why he found all music unpleasant and perceived it just as noise in his mind.

There are also speculations that Lovecraft might have had a type of high-functioning autism spectrum disorder, which could have influenced his auditory experiences and his literary creations. However, it is important to note that these are speculative claims and not officially diagnosed conditions.

Beyond Classical: Pop Tunes and Unconventional Preferences

While Lovecraft was predominantly a fan of classical music and folk traditions, there is an interesting tale of his somewhat unconventional tastes. Contrary to expectations, Lovecraft reportedly preferred pop tunes of the day. This could be seen as a reflection of his intellectual curiosity and engagement with contemporary culture. Furthermore, it is mentioned that despite his aversion to singing, Lovecraft had a reasonably good tenor voice. This intriguing detail adds another layer to his multifaceted personality.

Music in Lovecraft’s Fiction

Lovecraft’s disdain for music is not just a personal quirk but is often reflected in his fiction. For instance, in his story “The Music of Erich Zahn,” the music is described as frenetic and frightening, reflecting the type of music Lovecraft imagined himself hearing. In his mythos, the ruler of the universe, Azathoth, known as the Blind Idiot God, is often accompanied by “accursed fruits and drums,” reflecting a chaotic and oppressive auditory experience. This misuse of music in his stories is a testament to how deeply influenced he was by his own auditory experiences or lack thereof.

Despite his avowed dislike for music, Lovecraft’s work has had a considerable influence on popular music. The eerie and atmospheric qualities in modern music, influenced by Lovecraft’s narrative and thematic elements, have drawn inspiration from his fictional universe, and by extension, his broader literary world. This legacy has ensured that Lovecraft’s musical preferences, even if they were more emotional and cultural than strictly auditory, continue to have an impact on contemporary music.

In summary, H. P. Lovecraft’s musical preferences were a blend of cosmic grandeur and cultural significance, reflecting his literary sensibilities and adding to the rich tapestry of his unique worldview. Whether through classical or folk music, or even through his supposed aversion to it, the influence of music on his work is undeniable and continues to intrigue scholars and fans alike.