Curse or Superstition: Why 'Macbeth' is Considered Unlucky for Actors

It is a common superstition among actors that speaking the name of the play Macbeth is considered unlucky. The origins of this belief, however, have a long and complex history which is not entirely clear. Here, we explore the roots of this superstition, its prevalence among actors, and the reasons behind this enduring belief in the theater.

Origins of the Superstition

While it is difficult to pinpoint the exact time and individual who first articulated this superstition, there is a well-documented history surrounding the play's reputation for bad luck among actors. The Royal Shakespeare Company's post on the Curse of the Scottish Play suggests that this superstition has been around for a long time. However, the sources cited often rely on indirect citations and unnamed references, making it challenging to verify every detail.

One prevalent theory is that actors believe the play to be cursed due to its dark subject matter and historical references. Shakespeare's depiction of witches and supernatural occurrences might contribute to the belief that the play itself has a malevolent influence. However, scholars such as those in Shakespeare's England suggest that the play simply reflects common beliefs and not any specific research by Shakespeare into witchcraft.

Performance History and Its Role in the Superstition

The performance history of the play, especially regarding its first performance at the Globe Theatre in 1606 for King James I, has been surrounded by as much myth and folklore as superstition. There are no solid historical records confirming the performance event, and the claims about the death of the actor playing Lady Macbeth around that time are highly questionable. This lack of concrete evidence adds another layer of mystery to the origins of the superstition.

Despite the uncertainty, the enduring belief in the play’s evil reputation remains strong. Even today, theater professionals often refer to Macbeth as "The Scottish Play" to avoid invoking any potential curses and to maintain its mysterious aura. This practice has become deeply ingrained in theater culture, reflecting a deep respect and almost rituals around the play.

Taking a Closer Look at Real Bad Luck in Theater

The concept of bad luck in the theater extends beyond just the name of the play. In a fascinating parallel to the naming superstition, actors also have the notorious saying "break a leg." Instead of wishing each other "good luck" which, according to superstitious beliefs, will bring bad luck, actors wish "break a leg" to avoid any supernatural interference. This superstition is not just about nomenclature, but also a broader ritual that performers adhere to in the belief that it protects them from bad fortune during their shows.

The superstition around Macbeth is just one example of a larger cultural phenomenon within the theater world. These beliefs serve multiple purposes: maintaining a level of ritual and respect for the play, and as a psychological defense against the inherent risks of live performance.

Conclusion

The superstition surrounding the name of Macbeth is a fascinating blend of history, folklore, and performance tradition. While the origins of this belief remain debated, it is clear that the play holds a significant place in theatrical lore. From avoiding phrases that could invoke curses to ritualistic good wishes, the enduring rituals and superstitions surrounding Macbeth reflect the deep respect and reverence that theater professionals have for this powerful piece of literature.